: Clint Eastwood is cool: he was cool as a Young Buck chewing cigar butts and he’s still cool as a wiry pensioner. It would take something monumentally uncool to dent this – like, say collaborating with Jamie the jazz-gonk Cullum. But though their closing credits dirge from Gran Torino was justly derided [easy now, you know that was ACE - ed], Cullum’s All Over It Now is more appetising, if only because it doesn’t threaten any iconic reputations. “Hello innocence,...

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