Entertainment Weekly counts down the best & worst in 2008 TV

community.livejournal.com - 19th Dec 2008

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Mad Men: 10 Best TV Shows of 2008: Ken Tucker's PicksEW's critic ranks ''Mad Men,''''Fringe,'' and a trio of late-night shows among the year's best. Plus: His picks for the five worst shows of the past 12 monthsTHE BEST:10. IN TREATMENT (HBO)Therapist Gabriel Byrne invited all manner of troubled folks to spill their guts on his sofa, and if some drove you up the wall (Melissa George's overly biting nympho), others could pierce your heart with their tender help­lessness; for me and many other fans, it was Mia Wasikowska's emotionally tortured teen. And this showcase for superb acting was never better than during Byrne's own sessions with his former Mentor, a grandly haughty Dianne Wiest.9. Dexter (Showtime)Watching this series' second season On Demand earlier this year, I finally overcame my revulsion at being asked to identify with a serial killer, much less think of him as a hero. And the third season represented a wel­come leap in quality; I'm amazed by the show's moral subtlety, as well as its performances. The terrific idea of pairing Michael C. Hall's Dexter with Jimmy Smits' fiery, murderous ADA Miguel Prado resulted in Dexter grappling with the consequences of carving out justice with a sharp knife and careful body disposal.8. LATE SHOW WITH David Letterman; THE LATE LATE SHOW WITH Craig Ferguson (CBS)Late-night's funniest one-two punch-liners. Letterman used his grumpiness to full media-storm effect this year, as when he Hammered John McCain for ditching Late Show to allegedly get back to D.C., then cut to a CBS News live feed of the candidate primping for Katie Couric just five blocks away. Much of the rest of his year was usefully spent ridiculing celebrity culture. I have such fond memories of the way he made Spencer Pratt look like an arrogant prat with a few terse put-downs and withering stares. Meanwhile, his follow-up act, Ferguson, knew precisely how to fine-tune sincerity and daffiness, no more effectively than when this new Amer­ican citizen eloquently implored us all to vote.7. FRINGE (Fox)The best new show of the year took a few weeks to grow on me, but now it's a full-blown addiction. The tension between John Noble's Mad scientist and Joshua Jackson as his Mad, sar­castic son offers a fresh way to present long-unresolved parent-child conflict. Plus, I'm warming to the delightfully chilly Anna Torv, who serves as a worthy Scully to Noble and Jackson's combo Mulder. As for the running conspiracy involving the Pattern and its roots in the mysterious Massive Dynamic company—at first I scoffed, and now I'm happily freaked out by its genuine scariness.6. Mad Men (AMC)Like Gossip Girl, Mad Men is a style-obsessed series about the emotions that roil beneath the clever banter and casually immoral behavior. Unlike Gossip Girl, Mad Menaspires to be art, which this season meant slowing the show to a glacial pace, allowing creator Matthew Weiner's finely honed ironies to be better savored. Jon Hamm was a natural from the start, but height­ening the show's fascination were the increasingly weird, zombielike discon­nection January Jones' suburban wife Betty felt from her privileged exis­tence, and the poignance of Christina Hendricks' Joan, engaged to a man unworthy of her even before he raped her in the office, her primary place of power. They could have called this season Mad Women.5. LOST (ABC)Unlike my idol-in-demystification, EW's Jeff ''Doc'' Jensen, I don'treally understand most of What It All Means on the island or off. Frankly, it was all I could do to keep my head from explod­ing when the first flash-forward was introduced. What I do know is that Lost hit a new peak of emotional inten­sity last season, as well as a zooming narrative momentum that made many other geeky serialized dramas (that would be you, Heroes) look like lag­gardly snails. And I doubt that I'm alone in having found some of the newish characters, such as Jeff Fahey's growly pilot, welcome and vivid.4. THE SHIELD (FX)One of the rare pleasures of series television is the show that gets better as it goes along, with each new season allowing its charactersto grow more complex and not fixed in mannerisms and fond catchphrases. So it turned out with The Shield, in which the rot in Vic Mackey's soul spread until, by this final season, it seemed to have reached his head: Michael Chiklis enacted the anguished rage of a trapped madman. Even more evolved was Walton Goggins' Shane, who began The Shield a macho hotdogger and ended it a desperately loving husband and father resigned to his doomed fate.3. 30 ROCK (NBC)The secret of Tina Fey's artistic success here is that she combines ludicrous­ness bordering on fantasy (Oprah Winfrey guest-starring as a halluci­nation; Fey dressing as Princess Leia to get out of jury duty) with realism bordering on drama: When you think about it, her Liz Lemon is the most fully formed lonely single professional woman in primetime. And Alec Baldwin's heroic refusal to crack a smile even as everyone around him behaves bizarrely has made him Fey's greatest asset. With his maniacal per­sistence in pursuing business success above all, Jack Donaghy has become the star of the loopiest Glengarry Glen Ross production ever. I mean, even David Mamet couldn't dream up MILF Island.2. THE WIRE (HBO)It became reflexive among much of the media to say HBO's greatest series ever didn't go out on its highest note—that its newspaper subplot wasn't as strong as past themes tackled by creator David Simon and company. But I thought its portrait of a suicidal industry was sketched vividly, and the central crime stories were once again superlatively acted, with dialogue as pungent as any feature film's. And if the abrupt shooting of legend-in-the-hood Omar (Michael K.Williams) didn't give you goose bumps, nothing else this year could have.AND AT NUMBER ONE...1. THE Colbert REPORT (Comedy Central)It was a great year for political television. Rachel Maddow, making braininess seem like the coolest trait possible, got her own show. Jon Stewart came up with endless variations on his look of horror when faced with stupidity in both parties' primaries. Campbell Brown pushed newsmakers for straight answers and was rewarded with her own program, a shocking move for the timid CNN. Even Katie Couric lucked into credibility just by asking Sarah Palin what she read. But no one jumped into the fray more enthusiastically and emerged more triumphantly than Stephen Colbert.His April road shows from Philadelphia were little masterpieces of satire and slapstick. And throughout 2008, his angry-demagogue persona took on an all-encompassing, nonpartisan air that allowed for intricate layers of irony. His previous weak spot — sometimes-awkward interviews with celebs and authors who don't know which ''Colbert'' they're talking to — became rock-solid, as guests ranging from Jackson Browne to Prof. Cornel West got down and boogied verbally with the master of the outrageous put-on. And his year-capping A Colbert Christmas, which was warmly affectionate around its crisp satirical edges, only increased our admiration for this purposefully clueless jerk played by a very shrewd guy indeed.And now...THE 5 WORST SHOWS IN 2008:5. KNIGHT RIDER (NBC)Every season seems to yield at least one revival of an old show or concept in the hope of attracting both nostalgists and fresh young viewers; this one is just the worst recent example of it. Updating schlock as hard–times, comfort–food entertain­ment is fine, but the execution here was com­plete hackwork. I'd rather watch a GPS screen.4. VALENTINE (The CW)An easy choice, you say, since who watched this dud-on-arrival series, can­celed after four episodes? Not exactly. The premise—a group of gods living on Earth—could have been dreamy and clever. And when I saw that one of the stars was Jaime Murray, who turned in an Emmy-worthy perfor­mance on season 2 of Dexter, my hopes were raised. Too bad Valentine was just puerile silliness.3. PRIVATE PRACTICE (ABC)I think Kate Walsh and Tim Daly are peachy actors. It's the drippy soap opera that reduces them and their costars to whiny, aging adolescents that I detest.2. American Idol (Fox)The combination freak show/amateur hour rolls on, crushing its time-period competition and not declining in ratings fast enough for my taste. Of course, my taste also includes a predi­lection for music that hasn't been strangled by osten­tatious mannerisms. And since history suggests that the also-rans can become bigger stars than the winners,who cares about a competition that's increasingly meaningless in every way?1. THE MOMENT OF TRUTH (Fox)creepy + stupid = abysmal. Contestants are asked very persona lquestions while strapped to a poly­graph: If you lie, you lose, and if you speak the truth, you crush your loved ones' emotions. In front of her husband, one woman admitted to adultery and to feeling she should have married an ex — not many laughs on that episode. That's not entertainment, that's maliciously conceived voyeurism.[ source ]Is anyone else here a bit surprised that True Blood didn't get Mentioned...? I haven't seen an episode yet, but everyone I know thinks it's orgasmic. And wtf?? I thought for sure Grey's Anatomy would've made the Naughty List after Dead!Denny sex. JMHO.


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